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PRODID:-//Prinzessinnengarten - ECPv4.9.5//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Prinzessinnengarten
X-ORIGINAL-URL:https://prinzessinnengarten.net
X-WR-CALDESC:Veranstaltungen im Prinzessinnengarten
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TZID:"Europe/Helsinki"
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TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20190331T010000
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TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20191027T010000
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BEGIN:VEVENT
DTSTART;TZID="Europe/Helsinki":20190625T180000
DTEND;TZID="Europe/Helsinki":20190625T200000
DTSTAMP:20261020T135150
CREATED:20190621T062629Z
LAST-MODIFIED:20190622T074556Z
UID:12596-1561485600-1561492800@prinzessinnengarten.net
SUMMARY:Trusting Land / NACHBARSCHAFTSAKADEMIE
DESCRIPTION:Artistic research by Brett Bloom and Bonnie Fortune \n\nThe Prinzessinnengarten is mobilizing to keep their land open for the next 99 years. If they are successful\, their efforts will last well beyond the lives of those who are now organizing. One can anticipate their success leading to a permanent arrangement. \nWhat cultural forms are available for working with multi-generational transmissions like this? How do people create enduring stories that help propel important efforts far into the coming millennia of energy descent and radical reconfiguration of human populations and energy consumption? A legal contract to keep a garden in place is a starting point\, but if a larger culture supporting keeping the land open is not engaged\, then it is fragile and subject to political shifts. \nWe work with people and organizations that engage deep time aspects of their endeavors. Semioticians and scientists in the US in the 1980s researched the difficulties of communicating the dangers of nuclear waste over vast periods of time\, specifically the next 300 generations. They concluded that serial folk tales or myths were the only cultural forms that carried intact messages over unfathomable periods of time. Western culture is no longer an oral one. We must ask what we can do to help shape and support long term cultural\, spatial\, and political efforts that unfold in deep time. \nWith this in mind\, we are doing work in support of the deep time success of Prinzessinnengarten. It is based on the rich cache of existing stories of the site and all the activities its community has generated. We are conducting interviews and asking the extended garden community to speculate on the future they want to see unleashed by their activities. We will publish our research and will generate a deep map\, visualizing the connections and relationships that make 99 years possible. \n  \nBrett Bloom is an artist\, activist\, writer and publisher based in Indiana. He works mainly in collaborative groups and situations\, often dealing with ecological issues. He is the cofounder of the long-running art group Temporary Services. Bloom co-edit-ed the double-book Belltown Paradise/Making Their Own Plans (WhiteWalls\, 2004)\, which proﬁles long term neighborhood efforts in 5 cities that preserve open spaces\, build sustainable city infrastructures\, and create new public spaces. In the summer of 2015\, Bloom coordinated two intensive training sessions—part of a multi-year effort called Breakdown Break Down—in London and rural Scotland that aim at the mobilizing for an articulation and construction of a civil culture to prepare for and survive climate chaos and breakdown. One key goal is to generate new stories that replace western petro-subjectivity\, our industrialized sense of self and place\, with other narratives and possibilities. \nBonnie Fortune is an artist and writer whose work looks at ecology–social and environmental– and the communication of affect. Fortune recently edited An Edge Effect: Art & Ecology in the Nordic Landscape. The book focuses on artists and arts groups who are working in expanded ways\, connecting with others via interdisciplinary and discursive modes of artistic practice. The artists are conducting their own research into plant breeding\, bio-diversity\, and bio-remediation. They are saving seeds\, composting\, and collaborating in the ﬁeld. The artists in this book are above all responding to the rapid changes that are occurring in our anthropogenic era. \nBonnie Fortune and Brett Bloom collaborate on artistic research projects around ecology\, habitat\, conservation\, and protecting land. Fortune and Bloom have completed numerous projects dealing with urban habitat and ecology\, including projects for the city of Urbana\, Illinois and public art works in Copenhagen\, Denmark. Their most recent collaboration was a “Deep Map” of ACRES Land Trust\, a conservation organization in the Midwestern United States that “protects land forever.” They both write regularly on topics of art and ecology. \n  \nDie Veranstaltung ist Teil des Projekts: \nLicht Luft Scheiße. Perspektiven auf Ökologie und Moderne\nRealisiert durch: Botanischer Garten und Botanisches Museum der Freien Universität Berlin (BGBM)\, Martin-Elsaesser-Stiftung\, Nachbarschaftsakademie im Prinzessinnengarten Kreuzberg und neue Gesellschaft für bildende Kunst (nGbK) \nKünstlerische Leitung: Sandra Bartoli\, Marco Clausen\, Silvan Linden\, Åsa Sonjasdotter\, Florian Wüst (nGbK-Projektgruppe)\, Kathrin Grotz\, Patricia Rahemipour (BGBM) \n Gefördert im Fonds Bauhaus heute der Kulturstiftung des Bundes „100 jahre bauhaus“  und durch die Lotto Stiftung Berlin.  \n
URL:https://prinzessinnengarten.net/event/trusting-land-nachbarschaftsakademie/
LOCATION:Laube im Prinzessinnengarten Kreuzberg\, Prinzenstraße 35-38\, Berlin\, 10996
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